• INTERSPECIES LISTENING
  • Vibroscape
  • Photosynthetic Beats
  • Vibrating Bees
  • Singing Tree
  • Drumming Insects
  • Interspecies Fusion Frequency
  • A Year's Hours

• GEOLOGICAL LISTENING
  • Melting Glacier
  • Pseudo-Volcanic Voices
  • Arid Fertility
  • Mountain Transect
  • Ice Vocalizations
  • Babbling
  • Limbs
  • Ears to the Ground

• ARCHITECTURAL LISTENING
  • Sonic Topologies
  • Bodies of Water
  • Blue Hour Observatory
  • Care Work
  • Cranachstrasse 47
  • 1959

• SONIC TRAVELS & WALKS
  • Sonic Travel: Etna
  • Sonic Travel: Corsica
  • Audio Walk: Forest
  • Audio Walk: Braunschweig City
  • Hidden Microphone

• MUSIC & ECOFICTION
  • Garden of Ediacara
  • Species Loneliness
  • Cargo
  • The Capacity of Things to Act
  • Live Performances & Mixes

• INFO
  • Newsletter
  • Bio & Works
  • Interviews, Portraits, Lectures
  • Sound design
  • Vertical Music (Label)

EARS TO THE GROUND (Performance, 2019)

Contact microphones, shoes, grass, ground.

Two contact microphones attached to the feet, sensing the microscopic sound world of the ground. Performed at the Moor House-Upper Teesdale National Nature Reserve, England.

Video excerpt from "Fieldworking" by Laura Harrington ( in collaboration with Chris Bate, Sarah Bouttell, Luce Choules, Simone Kenyon, Fiona MacDonald (Feral Practice), Lee Patterson and Meredith Root-Bernstein.)